Urban Fugitive is an ongoing inquiry into how cultural, technological, and belief systems shape the modern imagination. It asks how our tools – material, digital, and symbolic – modify perception, produce myths, and quietly script the limits of what can be thought.
My work moves between writing, research-led projects, and technical experiments. These are not separate practices but different methods for examining the infrastructures that surround us: the stories we inherit, the platforms we depend on, the images that organise desire, and the systems that increasingly think on our behalf. Whether through essays, sculptural thinking, web-based audio instruments, or hauntological digital spaces, the aim is the same: to expose the architectures that govern experience and to consider how they might be reconfigured.
I am interested in how futures are narrated, how cultures remember, and how technologies mediate belief. This includes interrogating AI’s manufactured imaginaries, revisiting the expanded field of sculpture as a mode of conceptual modelling, exploring occult nostalgia and its contemporary romanticisms, and building small technical artefacts that reveal how software shapes the senses.
Urban Fugitive is a place to publish that investigation in multiple forms: critical essays, speculative pieces, research notes, digital experiments, and the occasional detour into the debris field of cultural memory. It is a record of a practice that treats writing as a tool, code as a form questioning, and art as a way of thinking in public.
If there is an underlying conviction, it is that imagination is political terrain and that understanding the structures that shape it is a necessary act of resistance.